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From distinct flares and bokeh to more subtle characteristics, there are many reasons why anamorphic is the go-to for many cinematographers today.
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Over the years the films of Wes Anderson have become a style unto themselves. With intriguing narrative threads, star-studded casts and off-beat visual styling the visionary director has a cornerstone on this style of filmmaking.
Cinematographer Robert Yeoman ASC has collaborated with Anderson on all of his live action features so far, nine in total, as well as some of his short films. Together they mix real-world elements with a theatrical suspension of disbelief in a whimsical way.
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The zoom lens – the lens that afforded filmmakers new techniques, the lens that revolutionised news gathering, the lens that can be just as good as a prime? Perhaps… let’s deep dive into the history of the zoom and how it has developed over the decades.
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