“Our use of the Cooke S4/i primes really elevated the look of the film, giving The Good Catholic a bigger budget aesthetic. The S4/i primes give a wonderfully warm and pleasing look that added to the warmth of the church interiors, which were lit by candlelight and tungsten.”
With a great deal of Steadicam work, the S4/i primes were the perfect weight balance to pair with our RED Epic Dragon. In addition, the lenses produced absolutely no vignetting when shooting wide open in 5K.
As a producer and cinematographer, the Cooke S4/i primes perfectly met both of my needs — from a rental cost as a producer, and as an artistic tool as a cinematographer.”