Leicester, UK – 14 January 2021 – When it came time to select lenses for the Lookout Point’s six-episode series of Vikram Seth’s bestselling novel A Suitable Boy, DP Declan Quinn knew exactly what he wanted: Cooke Optics’ flagship spherical S4/i primes.
- Cinematographer Isaac Vila plays with the lenses to capture naturalism and light to bring the landscape to life -
Leicester, UK – 21st December 2020 – The pressure is on: film director Carlos Montero writes the novel, The Mess You Leave Behind, imagining every scene and character as he writes, and not too far in time after that, he calls cinematographer Isaac Vila to let him know that the project will be taken to the screen and shaped into an 8-episode mini-series. Luckily for Isaac, being a frequent Cooke lenses user and having shot his two last films on Cooke S7/i Full Frame Plus lenses, his decision on lenses was clear. When thinking about the photography for Netflix’s, The Mess You Leave Behind, Isaac knew the range of S7/i Full Frame Plus lenses would allow him to achieve a sharp, subtle and smooth rendering to create magical scenery when playing around with the fog, humidity, stone, and contrasts of the scenery the series would have in the background.
-Peter Simonite, ASC, CSC finds great opportunity with visuals that underscore the story with a ‘beautiful’ lens-
Leicester, UK – 02 December 2020 – For cinematographer Peter Simonite, ASC, CSC lensing the drama Fugitive Dreams meant needing a vintage look — but a look that was also consistent between lenses. To accomplish this, he chose the Cooke Optics Panchro/i Classic to give director and writer Jason Neulander the exact look he wanted for the film.
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