- Cinematographer John Conroy starts with a blank canvas for spin-off after shooting the original Penny Dreadful -
Leicester, UK – 26 May 2020 – When it came time for cinematographer John Conroy to develop the look for Showtime’s Penny Dreadful: City of Angels spin-off, he already had eight episodes of lensing the original Penny Dreadful under his belt. A major part of the look for the spin-off would come from using Cooke Optics’ S4/i prime lenses and rehoused vintage Cooke Speed Panchro lenses.
- Two sets of lenses provide a retro look combined with modern day flair -
Leicester, UK – 13 May 2020 – When cinematographer Scott Peck first learned that Stargirl was going to become a series on the DC Universe streaming service, he started doing a lot of research about the DC Comics character STARGIRL and its creator Geoff Johns. That led him to the Cooke Optics’ Anamorphic/i standard and Anamorphic/i SF (Special Flair) lenses.
- Cinematographer Toby Oliver, ACS, enhances photography with the ‘Cooke Look -
Leicester, UK – 07 May 2020 – The Netflix original series Dead to Me has moved production to Cooke Optics S7/i Full Frame Plus prime lenses for season two to take advantage of the ‘Cooke Look®’ to bring a flattering look for stars Christina Applegate (nominated for a Golden Globe for Best Performance by an Actress in a Television Series - Musical or Comedy for season one) and Linda Cardellini.
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