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S7/i FF

Superb optical and mechanical performance in a comprehensive line-up

Focal length range: 16mm – 300mm (16 lenses)

Format: Full Frame

Mount: PL or LPL

Speed: T2

S7:i Group shot

Sharp and Controlled

Optimised for film and digital cameras reducing lateral colour aberration and providing an organic bokeh, S7/i FF prime lenses are designed to provide maximum performance at full aperture with superior control of flare, distortion and spherical aberration.

Comprehensively matched

S7/i FF
16mm
S7/i FF
18mm
S7/i FF
21mm
S7/i FF
25mm
S7/i FF
27mm
S7/i FF
32mm
S7/i FF
40mm
S7/i FF
50mm
S7/i FF Macro
60mm
S7/i FF
65mm
S7/i FF
75mm
S7/i FF Macro
90mm
S7/i FF
100mm
S7/i FF
135mm
S7/i FF
180mm
S7/i FF
300mm

The S7/i series are a comprehensive line-up of 16 focal lengths from 16mm – 300mm, colour matched to Anamorphic/i and Panchro/i Classic lenses.

FEATURES

/i Technology

Cooke’s /i Technology enables cameras to automatically store key lens data on everything from lens setting and focusing distance to aperture and depth-of-field. Equipping cinematographers with essential information, it streamlines production and post processes while eliminating the need for guesswork.

smarter@2x

Handcrafted Precision

Each Cooke lens is hand crafted at the factory in Leicester, U.K, using a combination of state-of-the-art technology, traditional 100-year-old techniques and personal dexterity that come together to create these extraordinary lenses.

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Cooke S7/i FF Showreel

A selection of productions shot on Cooke S7/i FF lenses.

S7/i Demo Film

Los Angeles Downtown:

Cinematography by Andrea Bassani & Gianluca Bertone, created by Bertone Visuals & Pursuit Aviation.

S7/i FF Demo Film

Michael Lindsay & Brendan McGinty

Test footage shot on RED 8K Vista Vision sensor supplied by RVZ Paris – S7/i FF focal lengths 32mm, 40mm, 50mm, 75mm and 100mm. The footage includes frame guide lines that highlight Panavision's DXL / RED 8K Vista vision sensor 1.9.1 and 1.78.1 Alexa. DOP's Michael Lindsay & Brendan McGinty, AC's Dan Di Martino & Charlie Perera, Editor Paul Gardner.

Demo Films

vlcsnap-2022-11-01-09h38m24s374

Cooke S7/i FF Showreel

A selection of productions shot on Cooke S7/i FF lenses.

vlcsnap-2022-10-27-16h45m25s327

S7/i Demo Film : Los Angeles Downtown:

Cinematography by Andrea Bassani & Gianluca Bertone, created by Bertone Visuals & Pursuit Aviation.

vlcsnap-2022-10-27-16h01m48s227

S7/i FF Demo Film : Michael Lindsay & Brendan McGinty

Test footage shot on RED 8K Vista Vision sensor supplied by RVZ Paris – S7/i FF focal lengths 32mm, 40mm, 50mm, 75mm and 100mm. The footage includes frame guide lines that highlight Panavision's DXL / RED 8K Vista vision sensor 1.9.1 and 1.78.1 Alexa. DOP's Michael Lindsay & Brendan McGinty, AC's Dan Di Martino & Charlie Perera, Editor Paul Gardner.

Credits: S7/i FF

The Tragedy of Macbeth

Director of Photography: Bruno Delbonnel AFC ASC

2021

The Perfection

Director of Photography: Vanja Černjul ASC HFS

2018

The Wild Goose Lake / Nan fang che zhan de ju hui

Director of Photography: Jingsong Dong

2019

Birds of Paradise

Director of Photography: Shaheen Seth

2021

Below Zero / Bajocero

Director of Photography: Isaac Vila

2021

S7/i FF Quotes

“All the benefits I can think of stem from what they don’t do: no funky aberrations, not much flaring, no surprises. I wanted a glass that could achieve a gentleness with no aberrations, a glass that was visually uncomplicated and down to earth. The S7/i’s were a no-brainer.”

Tat Radcliffe, BSC | Director of Photography
S7/i FF Quotes

“We wanted the cameras to be subjective, feel the depth of the space, like the camera work is being done with the characters. That told us what lens we wanted to be on, and after doing my lens tests, the S7s just stood out.”

Matt Sakatani Roe | Director of Photography

Specification

The S7/i FF lenses are designed to provide maximum performance at full aperture with superior control of flare, distortion and spherical aberration.

Our Academy Award® winning cam-style focus movement, coupled with a large lens barrel diameter allow for an increased number of focus markings, particularly at close focus. A four-point contact bearing also provides a smooth positive backlash-free movement.

Accessible via a cable connector near the lens mount and synchronises with /i compatible cameras and accessories.

All S7/i prime lenses are colour balanced and colour matched – ensuring consistency across the series.

We offer a choice of PL and LPL camera mount options, designed specifically for use with our lenses.

All S7/i FF series prime lenses are designed for full performance and reliability with a minimum of downtime.

All S7/i primes cover an image circle greater than full frame.

Every focus mark is individually calibrated and engraved on both sides of the focus barrel for ease of use.

The majority of S7/i FF lenses have a common fixed front diameter of 110mm, with a focus drive gear of 140T x 0.8 mod and an iris drive gear of 134T x 0.8.

The S7/i series of prime lenses feature a nine-leaf linear module iris assembly, providing an aperture range of T2-T22.

Every Cooke lens is coated with a scratch resistant PTFE hard anodised finish, which provides a durable, hard-wearing surface to meet the most demanding environmental conditions.

Technical Data

Metric Imperial
 
16mm
18mm
21mm
25mm
27mm
32mm
40mm
50mm
65mm
75mm
100mm
135mm
180mm
300mm
Aperture
T2-T22
T2-T22
T2-T22
T2-T22
T2-T22
T2-T22
T2-T22
T2-T22
T2-T22
T2-T22
T2-T22
T2-T22
T2-T22
T3.3-T22
Iris rotation
90°
90°
90°
90°
90°
90°
90°
90°
90°
90°
90°
90°
90°
90°
Close focus1
400 mm
400 mm
400 mm
350 mm
350 mm
350 mm
450 mm
500 mm
500 mm
475 mm
700 mm
950 mm
1,300 mm
2,100 mm
Focus rotation
270°
270°
270°
270°
270°
270°
270°
270°
270°
270°
270°
270°
270°
270°
Length2
197 mm
197 mm
197 mm
182 mm
182 mm
177 mm
189 mm
189 mm
189 mm
189 mm
189 mm
189 mm
198 mm
256 mm
Front diameter
136 mm
110 mm
110 mm
110 mm
110 mm
110 mm
110 mm
110 mm
110 mm
110 mm
110 mm
110 mm
110 mm
110 mm
Angle of view (FF)3
107º
100º
92º
82º
78º
68º
57º
47º
37º
32º
24º
18º
14º
Angle of view (S35) 4
85º
78º
70º
61º
58º
50º
41º
33º
27º
23º
17º
13º
10º
Weight5
4 kg
3.5 kg
3.3 kg
3.3 kg
3.3 kg
3.4 kg
3.5 kg
3.4 kg
3 kg
3 kg
3.3 kg
3.7 kg
3.6 kg
4.4 kg
Filter thread
N/A
N/A
N/A
M105 x 0.75
M105 x 0.75
M105 x 0.75
M105 x 0.75
M105 x 0.75
M105 x 0.75
M105 x 0.75
M105 x 0.75
M105 x 0.75
M105 x 0.75
M105 x 0.75
Aperture
T2-T22
T2-T22
T2-T22
T2-T22
T2-T22
T2-T22
T2-T22
T2-T22
T2-T22
T2-T22
T2-T22
T2-T22
T2-T22
T3.3-T22
Iris rotation
90°
90°
90°
90°
90°
90°
90°
90°
90°
90°
90°
90°
90°
90°
Close focus1
16 in
16 in
16 in
14 in
14 in
14 in
18 in
20 in
20 in
19 in
2 ft 6 in
3 ft 3 in
4 ft 3 in
7 ft
Focus rotation
270°
270°
270°
270°
270°
270°
270°
270°
270°
270°
270°
270°
270°
270°
Length2
7.8 in
7.8 in
7.8 in
7.2 in
7.2 in
7.0 in
7.4 in
7.4 in
7.4 in
7.4 in
7.4 in
7.4 in
7.8 in
10.1 in
Front diameter
5.3 in
4.3 in
4.3 in
4.3 in
4.3 in
4.3 in
4.3 in
4.3 in
4.3 in
4.3 in
4.3 in
4.3 in
4.3 in
4.3 in
Angle of view (FF)3
107º
100º
92º
82º
78º
68º
57º
47º
37º
32º
24º
18º
14º
Angle of view (S35) 4
85º
78º
70º
61º
58º
50º
41º
33º
27º
23º
17º
13º
10º
Weight5
8.8 lbs
7.7 lbs
7.2 lbs
7.2 lbs
7.2 lbs
7.5 lbs
7.7 lbs
7.5 lbs
6.6 lbs
6.6 lbs
7.2 lbs
8.1 lbs
7.9 lbs
9.7 lbs
Filter thread
N/A
N/A
N/A
M105 x 0.75
M105 x 0.75
M105 x 0.75
M105 x 0.75
M105 x 0.75
M105 x 0.75
M105 x 0.75
M105 x 0.75
M105 x 0.75
M105 x 0.75
M105 x 0.75
1Minimum marked object distance (measured from sensor plane) . 2From the front of the lens to the lens mount. 3Maximum horizontal and vertical angle of view for Full Frame formats. 4 Describes the maximum horizontal and vertical angle of view for Super35 formats. 5Total weight of the lens including base PL mount.
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Explore Cooke

History

For over 100 years, Cooke has been at the centre of the filmmaking business, listening to the community of which we are a part. Starting with the Cooke triplet in 1893, we have become ingrained in the evolution of lenses and has been a key innovator in the history of motion pictures.

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The Cooke Look™

Developed over 100 years of optical innovation, the inimitable Cooke Look is recognised by cinematographers for its ability to convey the emotion of a visual story through light, colour and composition. 

The Cooke Look
News & Events

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/i Technology

/i Technology is an open protocol designed by Cooke to enhance the filmmaking process by making equipment digitally compatible, streamlining both production and post.

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