View Cinematographer Aaron McLisky, ACS, “Goes All In” to Bring the Cooke Look to Russell Crowe’s Poker Face
View Cooke Anamorphic/i Lenses Bring Cinematic Look to Daisy May Cooper’s New Comedy-Thriller Am I Being Unreasonable?
View A Near Real-Time workflow brings together key advancements in lens calibration, machine learning and real-time rendering to deliver higher quality composites of what was just shot to the filmmakers, in a matter of minutes.
View Three sets of Cooke Optics Anamorphic/i S35 Prime Lenses Adds to the Desert Isolation and Immersive Storytelling of End of the Road
View Cooke Optics S7/i Full Frame Lenses Add to the Emotional Appeal and Popularity of Netflix’s Purple Hearts
