News & Events

Afficher Cinematographer Frank Mobilio chose to employ the Cooke Look™ with Panchro Classic/i FF lenses for 'Arcadian'

Afficher Cooke Anamorphic/i FF lenses bring the magic to Wonka

Afficher An introduction to anamorphic lenses

Afficher Cooke now offers a choice of free second mount with purchase of SP3 lenses

Afficher Jay I. Patel discusses cinematography of 'Sam Bahadur', lensed with Cooke Anamorphic/i FF SF and S7/i FF lenses

Afficher Varotal/i FF zooms and S8/i primes comparison

Afficher 'Three-Body' shot on Cooke S7/i FF

Afficher The Wingman - Shot on Cooke SP3, S8/i and Varotal/i

Afficher The Cinematography of Wes Anderson and Robert Yeoman ASC - straight shooting imagineers

Afficher Cooke Burbank Spring Open House - March 2024

Afficher Classic Cookes - Speed Panchro Series 1; 1930 - 1947 (war finish)

Afficher Launch of new Cooke Digital business

Afficher Aymerick Pilarski, AFC chooses Cooke S8/i FF and Panchro/i Classic FF for feature film 'Black Tea'

Afficher In conversation with… Cinematographer Apoorva Shaligram

Afficher Cooke London Open House - March 2024

Afficher Cinematographer Matt Wicks selected Cooke Panchro/i Classic Full Frame lenses for series 2 of Emmy-winning TV Series Vigil.