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Toss an Oreo! Here's to making sibling rivalry more Playfull with an Oreo toss.
“I prefer to use a single focal length for one scene, and I chose to shoot this commercial only on the 32 mm. Thanks to these lenses, the film felt dreamy, correctly nostalgic and beautifully textured”Sahil Bhardwaj, Director of Photography
Lens/Camera Information
Lens series: Cooke Vintage Speed Panchros
Focal Length: 32mm & 50mm
Camera: Arri Alexa 35
Format: Digital
Production information: Oreo.india
Directors of Photography: Sahil Bhardwaj
DOP Email: sahilbhardwaj@gmail.com
DOP IMDB: sahilbhardwajimdb
DOP Instagram: @sahilbhardwaj
DOP Vimeo: Sahilbhardwajvimeo.com
Producer: Milin Shah
Director: Nasar Husami
Colorist: Ivan Narozhnyi
Gaffer: Shamim Khan
Camera Operator: Monica Tiwari
Focus: Gunda Raghavender
Key Grip: Javed Khan
Production company Name: Vanilla Films
Production Company Website: Filmsbyvanilla
Postproduction Company Website: NubeStudio
Supported By: Jehangir Choudhary
The Vintage Cooke Speed Panchros were an excellent choice for the Oreo commercial. We wanted to create a dreamy, warm and fuzzy feeling for the film that seems like it’s set in the winter. The uncoated lens elements of the rehoused Vintage Cooke Panchros helped us to achieve exactly that. The lenses felt very close to shooting on film, making the skin textures delicately soft while retaining sharpness overall.
Paired with the Alexa 35 sensor, we ensured that we got natural looking grain, excellent fall-off and warmth in the skin.
I prefer to use a single focal length for one scene, and I chose to shoot this commercial only on the 32 mm.
Thanks to these lenses, the film felt dreamy, correctly nostalgic and beautifully textured.
Directors of Photography: Sahil Bhardwaj
