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Life Through Our Lens

Watch interviews with world-renowned cinematographers, browse our Shot On Cooke showcase and a library of the Cooke back catalogue.
Breaking_Bad

Breaking Bad

Director Michael Slovis, Reynaldo Villalobos, Arthur Albert, Peter Reniers, Nelson Cragg, John Toll, Marshall Adams

The Irishman

The Irishman

Director Martin Scorsese

a-star-is-born_Q0eXFf

A Star Is Born

Director Matthew Libatique

Film & TV Library

Browse the films and television series that have been shot using Cooke lenses.

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Cooke TV Interviews

Interviews and insights with leading industry figures.

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Shot on Cooke

A video showcase of the best known projects to be filmed with Cooke lenses, from feature films to commercials.

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Film & TV Library

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The Long Night: Game of Thrones Series 7

  • Director: Miguel Sopochnik

21 & Over

Director of Photography: Terry Stacey ASC

2013

4:44 Last Day on Earth

Director of Photography: Ken Kelsch ASC

2011

A Star Is Born

Director of Photography: Matthew Libatique ASC

2018

A Dangerous Method

Director of Photography: Peter Suschitzky ASC

2011

Wonderstruck

Director of Photography: Ed Lachman ASC

2017

Cooke Optics TV

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The Cinematography of the Sopranos | Alik Sakharov

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The Gaffer and the Cinematographer | Julian White

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Newton Thomas Sigel - Working with different directors

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Filming the Space Film | Dariusz Wolski

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Cinematographer Roundtable - Working with Practical Lighting

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Shot on Cooke

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The Beatles 'Here Comes The Sun'

Director of Photography: Peter Ellmore

Imagine Dragons "Next To Me"

Director of Photography: Matt Sakatani Roe

Yves Saint-Laurent: Black Opium

Director of Photography: Matias Boucard

Périple Production / Assemblage

Director of Photography: Anne-Charlotte Henry & Arthur
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News & Events

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29 September 2022
A Near Real-Time workflow brings together key advancements in lens calibration, machine learning and real-time rendering to deliver higher quality composites of what was just shot to the filmmakers, in a matter of minutes.
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View A Near Real-Time workflow brings together key advancements in lens calibration, machine learning and real-time rendering to deliver higher quality composites of what was just shot to the filmmakers, in a matter of minutes.
22 September 2022
Three sets of Cooke Optics Anamorphic/i S35 Prime Lenses Adds to the Desert Isolation and Immersive Storytelling of End of the Road
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View Three sets of Cooke Optics Anamorphic/i S35 Prime Lenses Adds to the Desert Isolation and Immersive Storytelling of End of the Road
15 September 2022
Cooke Optics S7/i Full Frame Lenses Add to the Emotional Appeal and Popularity of Netflix’s Purple Hearts
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28 July 2022
PBS Food’s Original Fare Gets a New Look with the Cooke Varotal/i FF Zoom Lens
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9 June 2022
Terre Di Cinema CineCampus workshop 10 - 24 September in Sicily
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View Terre Di Cinema CineCampus workshop 10 - 24 September in Sicily
11 May 2022
Cooke Brings a New Look to the Star Trek Universe with Anamorphic/i Full Frame Plus Special Flare Lenses
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View Cooke Brings a New Look to the Star Trek Universe with Anamorphic/i Full Frame Plus Special Flare Lenses
5 May 2022
Film and Digital Times in depth article on the new S8/i
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View Film and Digital Times in depth article on the new S8/i
4 May 2022
Cooke Optics launches S8/i FF spherical lenses for full frame production
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View Cooke Optics launches S8/i FF spherical lenses for full frame production
4 May 2022
Cooke adds to Full Frame family with two Varotal/i FF zoom lenses and Panchro/i Classic FF range
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View Cooke adds to Full Frame family with two Varotal/i FF zoom lenses and Panchro/i Classic FF range
7 April 2022
The Gilded Age, Julian Fellowes new period drama for HBO Max, lensed with Cooke Spherical and Anamorphic/i prime lenses.
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View The Gilded Age, Julian Fellowes new period drama for HBO Max, lensed with Cooke Spherical and Anamorphic/i prime lenses.
7 April 2022
The Cooke Look® shines through for Nine Bullets with Anamorphic/i prime lenses. DP Byron Werner elevates a small budget film with a big budget feel.
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View The Cooke Look® shines through for Nine Bullets with Anamorphic/i prime lenses. DP Byron Werner elevates a small budget film with a big budget feel.
7 April 2022
Cooke Panchro/i Classics bring the Cooke Look® to King of Boys: The Return of the King.
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