Blog

View Cinematographer Frank Mobilio chose to employ the Cooke Look™ with Panchro/i Classic FF lenses for 'Arcadian'

View Cooke Anamorphic/i FF lenses bring the magic to Wonka

View Distorting reality - what are anamorphic lenses?

View Jay I. Patel discusses cinematography of 'Sam Bahadur', lensed with Cooke Anamorphic/i FF SF and S7/i FF lenses

View 'Three-Body' shot on Cooke S7/i FF

View The Wingman - Shot on Cooke SP3, S8/i and Varotal/i

View The Cinematography of Wes Anderson and Robert Yeoman ASC - straight shooting imagineers

View Aymerick Pilarski, AFC chooses Cooke S8/i FF and Panchro/i Classic FF for feature film 'Black Tea'

View In conversation with… Cinematographer Apoorva Shaligram

View Cinematographer Matt Wicks selected Cooke Panchro/i Classic Full Frame lenses for series 2 of Emmy-winning TV Series Vigil.

View Cooke Gallery London

View Zoom in on Zoom Lenses – The How and Why

View “Who’s There?” Shot on S8/i FF

View Disney+ brings Percy Jackson and the Olympians to life with Cooke Anamorphic/i S35 lenses

View Maxime Cointe chooses Cooke special flair Anamorphics, Lupin Series 3

View Cinematographer Jerry Henry Nominated for Primetime Emmy for Outstanding Cinematography for a Non-Fiction Program for The 1619 Project, Episode 6 “Justice”