View Cooke Anamorphic/i S35 Special Flare Prime Lenses Help DP Byron Werner Strike Gold for Spinning Gold
View Cinematographer Aaron McLisky, ACS, “Goes All In” to Bring the Cooke Look to Russell Crowe’s Poker Face
View Cooke Anamorphic/i Lenses Bring Cinematic Look to Daisy May Cooper’s New Comedy-Thriller Am I Being Unreasonable?
View A Near Real-Time workflow brings together key advancements in lens calibration, machine learning and real-time rendering to deliver higher quality composites of what was just shot to the filmmakers, in a matter of minutes.
View Three sets of Cooke Optics Anamorphic/i S35 Prime Lenses Adds to the Desert Isolation and Immersive Storytelling of End of the Road
