Productions

Afficher In the Arena: Serena Williams - a conversation with Cinematographer Ayana Baraka

Afficher Cinematographer Chandrakanth Madhavan discusses using Cooke S7/i FF lenses on the horror fantasy 'Gu'

Afficher Cooke Anamorphic/i FF lenses bring out the vibrancy of 'Phir Aayi Hasseen Dillruba'

Afficher Cooke's Anamorphic/i S35 (2x) and Anamorphic Zoom lenses capture the tense atmosphere of 'Cuckoo'

Afficher Dinesh Purushothaman on the cinematic journey of 'Maharaja'

Afficher 'We Are Lady Parts' - from pilot to perfection

Afficher A conversation with John Jiang and Yichuan Huang on their short film 'Sealed Off'

Afficher Arthur A. Wilson: a visual journey with 'Garudan'

Afficher An interview with Sanjay Kapoor, Cinematographer of Mirzapur Series

Afficher 'All We Imagine as Light' shot on Cooke S4/i lenses wins the Grand Prix at the 2024 Cannes Film Festival

Afficher The Crown - Framing the legacy

Afficher DP George Burt finds “The Right Glass” with the Cooke Anamorphic/i FF Special Flair for Joe Baby

Afficher Cooke Anamorphic/i FF lenses bring the magic to Wonka

Afficher Jay I. Patel discusses cinematography of 'Sam Bahadur', lensed with Cooke Anamorphic/i FF SF and S7/i FF lenses

Afficher 'Three-Body' shot on Cooke S7/i FF

Afficher The Wingman - Shot on Cooke SP3, S8/i and Varotal/i